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The Hijacked Egypt

Historical Egypt = Hijacked Egypt 

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Article by Qin-Ra

You call this

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Abu Simbel Temple





Just about everything at the Abu Simbel Temple is vulgar and barbaric. 


Says who?


Says my heart. 


I had finished touring the World Heritage Site. The tourists around me raved about its beauty and glory, but my heart was saying the opposite. The Abu Simbel Temple, built by Ramses II, the “greatest of all Egypt’s Pharaohs,” ignited in me instead a sense of repulsion: look at its shameless displays of Pharaonic ego and tacky aesthetics ... yuck!


Next, I visited Medinet Habu near the Valley of the Kings. I nearly puked there in the temple's courtyard. Its walls were covered with images of battle scenes, some displaying piles of hands and penises chopped off the prisoners of war.


The entire temple glorifies the violence and carnage of war.

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Medinet Habu  - a Temple of Horror Beautified

As I walked through this temple of horror, I wondered which is worse, Medinet Habu or Auschwitz? Both sites featured piles of human bodies, but one surrounds them with righteous aesthetics, and the other does not.

I had been to Auschwitz twice. I had seen the evil up close. I expected it there, but not here. Not in Egypt, the golden land of high spirituality, the Mecca for New Age pilgrims.

But shadows of evil were staring at me everywhere I went in Egypt. A week before visiting Medinet Habu, I was at the Cairo Museum observing the Narmer Palette, the artifact believed to best represent the beginning of dynastic Egypt, or historical Egypt.

Narmer was the founder of Egypt’s Dynasty 1.


Narmer (identified by most scholars as the Pharaoh Menes) was a mighty warrior chief who became the first Pharaoh, the first king of a unified (meaning conquered) Egypt.

He was the first king to rule both Upper and Lower Egypt, not by way of virtue but by way of war, and the first ruler to establish an ideology of terror that would go on to conquer the minds of Egypt’s people for over three thousand years. 

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Narmer Palette

(c. 3100 BC)

The triumphant Pharaoh smiting his enemy.


This root icon from a 3100 BC palette is displayed everywhere in modern Egypt, emblazoned on the front walls of most temples that are still standing. It became apparent to me that this was the root symbol on which dynastic Egypt was built.

Later Pharaohs copied the first Pharaoh’s pose, or men copied the first Pharaoh’s pose to become Pharaohs.

When did men start acting this way? Since the conception of Homo sapiens? Our education has programmed us to believe that this iconic pose is latent in our genetics, that since time immemorial men have been driven by one purpose:


to conquer and rule other men.


Is it true?

I was fortunate to have visited Ireland before travelling to Egypt. In Ireland, I reconnected with my Pleiadian ancestral guide, Sincera, who provided me with a set of master keys.

One of those master keys contained the following information:


"To conquer and rule" is the hallmark energy of the Anunnaki, a dark extraterrestrial force that invaded Earth humanity in the Bronze Age and hijacked the civilizations founded by the Pleiadian and Sirian families of light.

Earth humans in the previous New Stone Age were peaceful and happy. There was no war on Earth and therefore no ruler, no king or queen.


The Anu force of darkness introduced warfare to the Earth-human realm as well as the alien practice of “divine ruler”—the king and his army, who were backed by the gods (later by the one and only God).

Thus, I went to Egypt with my eyes already opened by the Pleiadian revelation. I could see deeper into Egypt.

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Tourists look at everything, yet they see very little. They think, but never original thoughts. They question, but always within the paradigms imposed by an authoritative other.

Rulers were imposed on us; they imposed themselves on us.


Historical Egypt was an imposed Egypt. 

It is likely that Narmer’s troops came from the northeast and swept southward along the Nile. He and his forefathers (unlikely related to the Dynasty 0 rulers, Ka and Iry-Hor) might have belonged to a warrior tribe that was not indigenous to the land along the Nile.


In other words, he was most likely a foreigner. His army, whatever its ethnic constitution, served as an instrument to impose on Egypt the alien energy of the conquerors from the sky—the Anunnaki, who had first landed in Mesopotamia a few centuries prior with an agenda of global conquest, land by land, era by era. 

Sumer was the first wound on humanity.


Sumer was where the alien infiltration into our human genome began, where the hijacking of the original civilization began. 


Sumerian “civilization” was the first to herald in a process of the decline of civilization.

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Illustration from

New Humankind: A Pleiadian Herstory, p.267

That process was characterized by the contamination of our humanity, fragmentation of our consciousness, and destruction of our relations with one another and with our mother planet.


A process called history.

History began with military conquest, survived through law enforcement, and prospered through propaganda campaigns. His-story.

Recorded history is one of war on human bodies and human minds.

Recorded history is one of civilization stolen and abused.

Recorded history is one of escalating forgetfulness of our true stories.


Such his-story, in its numerous regional variations, is fueled by the Myth of Historical Progress. The only thing that has truly progressed over the past 5,000 years is our tool, which we use to control ourselves and the environment.


His-story is based on the strategic principle of Reversal of the Original, which, according to Pleiadian revelation, was the Anu force’s modus operandi in hijacking the original civilizations founded by the Pleiadian and Sirian families of light.


Egypt fell victim to this history, as did China and India, the other two cradles of civilization. The hijacking of these two countries was enacted with different strategic routes and army instruments, but both conquests followed the same pattern set in Sumer:


military conquest of the human body backed by ideological conquest of the human psyche.

This energy from Sumer invaded Egypt during the Bronze Age.

This energy was non-existent on Earth during the New Stone Age.

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The Pharaonic Agenda was not esoteric or vague, but open and clear. Its goal was to install a pyramidal structure in the human society of Egypt.


The structure, which was based on the principles of domination and obedience, with political control centralized in the royal family headed by the Pharaoh and mental control centralized in the priesthood, was essentially an energy-sucking system. It extracted the energy out of the land and its people to feed the alien force hiding in the astral plane. The Anu force hides in the semi-physical astral zone, also known as the 4th Dimension.


The pyramidal structure for energy sucking was a reversal of the original structure for energy generation and distribution; the dark pyramid was a corrupted and reversed light pyramid. 


The dark pyramid’s first architectural expression was in the ziggurats of Sumer. The ziggurats were Anunnaki temples that functioned as energy-sucking and power-draining stations.

Here we have two models that are diametrically opposed in their intentions:

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Light Pyramid

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Dark Pyramid

The Sirians were pyramid builders, and the Anunnaki were dark Sirians.


Their home planet, Nibiru, had been blasted out of the Sirius star system, they had become space fugitives. Although disowned by Sirius, the Anunnaki still operate in the Sirian way, just in reverse. The dark Sirians therefore had the capacity to hijack the light Sirians’ achievements and warp them to serve their dark agendas.

The Anunnaki first built their pyramids—the ziggurats—in Mesopotamia. After they conquered Egypt, they took over the pyramids built by the light Sirians, the Technos. The pyramids were already on the ground when the army of Narmer, the Pharaoh-to-be, swept through the land. The alleged “builder” of the Great Pyramid, the Pharaoh Khufu, simply did some furnishing work around 2560 BC.


The pyramidal form is a neutral, powerful structure for energy generation that can be used to either enhance or damage humanity.


The pyramid that we see on today’s dollar bill is a dark pyramid that originated in hijacked Egypt.

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From ziggurat to pyramid, from Sumer to Egypt, the Anu force aimed to install their dark pyramid of social hierarchy in every country on Earth. Egypt was a Bronze Age superpower. If they had Egypt, they had half of the world.

There is currently a mass deception occurring to censor our access to the original, authentic Egypt. Backed by academic Egyptology, this mass deception aims to constrict us within a layer of inauthenticity so that we won’t dig deeper and reach the clear fountain. It gives us a fake Egypt and obscures our view of the real Egypt. 

A hijacked civilization is a fake civilization.


I've encountered spiritual people, even brilliant intellectuals, who were so stuck on the dynastic, pharaonic Egypt that they missed the opportunity to connect with the real power source lying within prehistoric Egypt.


Historical Egypt is undoubtedly mind-blowing in its complexity, grandiosity, and beauty. The bust of Nefertiti is beautiful; the mask of Tutankhamen is spectacular. But we must see through the dazzles of beauty, which, as we know, can serve whomever is in power.

The hijackers of civilization and rulers of humanity have lasted this long because they wear masks of light that are blindingly beautiful.

Let’s strip them of these masks. Let’s break through the bunker of history to reach for the original, authentic, prehistoric Egypt, as we would for prehistoric China, India, and Sumer. Let’s wake up and acknowledge that it was not long ago (during the Neolithic era) that our societies were egalitarian and our humanity was healthy.



The place in Egypt where I felt the strongest pulse of the original civilization was Elephantine Island.

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I lodged at the Nubian tribal house on Elephantine Island for a few days, where I had the opportunity to converse with a Nubian elder, who informed me that his people have always believed that this island in the midst of the Nile was a birthplace of civilization.


I was also able to observe Neolithic artifacts at the island’s small museum. It was a homecoming to leave behind those pompous pharaonic statues and arrive at these demure folk statuettes.

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Prehistoric Egypt

Later, I learned about the amazing standing stones at the desert site of Nabta Playa (see the 1st image above), over 300 km from Elephantine Island, through the research of Thomas G. Brophy. My Pleiadian guide then revealed that Nabta Playa was one of the sites where the Pleiadian Civilization Mission seeded agriculture for this part of Africa. Today’s desert was a vibrant savanna in 7000 BC.

My Pleiadian guide also revealed an ancient Pleiadian - Sirian Alliance: The Pleiadians worked in Sirian Egypt, and the Sirians worked in Pleiadian Ireland. They maintained a layer of Pleiadian civilization in Egypt and a layer of Sirian civilization in Ireland and elsewhere.

Interestingly, it was at a hotel in Laos during a megalithic research trip that I watched John Anthony West’s Magical Egypt series on YouTube. In Episode 2 (31:30-36:33), the renowned scholar took the film crew into a mysterious pit in the Red Pyramid. The weathered chamber must have been the oldest layer of the pyramid. West commented that this rough “prior construction” closely resembled megalithic works from prehistoric British Isles such as Newgrange.  

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Two Sets of Fingerprints

I also noticed this strange-looking pit during my visit to the Red Pyramid, but I failed to notice the resemblance to megalithic Ireland. Now, with West’s help, I realize that there is certainly a Newgrange feel to this “un-Egyptian-looking” chamber, an imprecision within a structure of super precision.

Did the Pleiadian civilizers build this oldest layer, this chamber temple, as a sanctuary at a power spot on the Earth? Did the Sirian civilizers then build a pyramid on top of the Pleiadian sanctuary, deliberately and respectfully, as part of a grand plan? 


The answer is quite possibly yes.

Perhaps, here at the Red Pyramid, we are witnessing one of the best architectural evidences of the ancient Pleiadian - Sirian Alliance


A question has been stirring in my mind.


If the Sirian energy was masculine in relation to Earth and the Sirian Technos primarily took male forms during their time on Earth, as my Pleiadian guide described, then why was the star Sirius historically associated with goddess figures such as Sopdet and Isis?





I understand that the heliacal rising of Sirius coincided with the flooding of the Nile, a life-giving feminine energy. I can also imagine that the Sirian starseeded human populations of ancient Egypt retained the memory of their souls’ origin on Sirius, their mother star. Still, there is a big difference between receiving a star energy as a masculine force versus a feminine force.

Could the identity of the sacred star Sirius have undergone a gender shift?


Could the Sirian Technos have been known to the ancient Egyptians as “the Sons of Sirius” (my term) and thus have been the actual energy behind the falcon-headed Horus, later identified as the Son of Isis?

Could the dark Sirians, known in Sumer as the Anunnaki, have been known in Egypt as Set, the god of chaos, violence, and foreigners?

If so, the conflict between Horus and Set can be interpreted as a conflict between the light Sirians and the dark Sirians. The myth of Set stealing an eye from Horus can be interpreted as a symbolic story about the dark Sirians stealing treasures from the light Sirians.

What do you think?

This provokes a bigger question about Egypt’s gods and goddesses. 


As you already know, the gods and goddesses in dynastic Egypt have stood behind the royal families as their patrons and allies.

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I wonder to what extent these gods and goddesses were hijacked. Could some of them have been the very inventions of the hijackers?


In other words, was the Egyptian pantheon part of the original plan for civilization, or an element inserted by the corrupt, fake civilization?

To find answers, I need to continue my quest and team up with seekers like you.

Here is a Pleiadian reminder for us, the seekers, to bear in mind:


“Remember, Egyptian art has changed over time. Very few original images from the Sirian era have survived till this day.”


Few is better than none, however.


The original images are still there, perhaps hiding in plain sight. We may not even need to search far. Maybe, all it takes is a shift in our perspective: 

To see old Egypt with new eyes. 

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Read More: 

Pleiadian - Sirian Alliance

Sirian Field

Anu Age of Darkness


Chapter 11   The Sirian Father

Chapter 12   Dark Infiltration

Chapter 13   Aliens' Curse on Humanity

Chapter 14   Anu Age of Darkness

in our eBook New Humankind: A Pleiadian Herstory

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